Saturday, November 15, 2008

Carter Family- A.P. Carter














Hi,

Alvin Pleasant Delaney ("A. P." or called "Doc" by his family) Carter was born December 15, 1893 in Maces Springs (Scott County), Virginia. The map (middle photo above shows Scott County).

The area called Poor Valley (photo below) is known today as Hiltons, Va. He lived in small one room log cabin with his parents and seven other siblings (see top photo).

By all accounts A.P., the eldest child, was a strange and complicated boy. According to his daughter Janette Carter, "Daddy always had more than one idea in his head. You never knew what he was thinking."

A.P. suffered from a physical tremor, as well as constitutional restlessness (now attributed to ADD: Attention Deficit Disorder along with a host of other maladies). From the day he was born until the day he died, he was possessed of a slight tremor, most noticeable in his hands. The family called it "palsy." His mother believed it was caused from a bolt of lightning that hit a tree she was standing under when she was pregnant with Pleasant. She reckoned it "shot such a bolt of fright into her swollen belly that the baby inside would be afflicted with that very nervous energy for each and all of his days."

A.P.’s father Robert Carter played the fiddle and he met his future wife, Mollie, at a square dance. "It was love at first sight," she recalled. After returning from a railroad job in Richmond, Indiana the twenty-three year old Carter married Mollie Bays in 1889, two years before A.P. the eldest child was born.

As a boy A.P. and his brother were taught to play the fiddle by his father who stopped playing the fiddle at dances at Mollie’s request. Despite his trembling hands, A.P. showed some talent. But it was his singing voice that won him the most praise. As a young man A.P. continued to play fiddle and sang bass in a quartet with two uncles and his eldest sister in the local church. Mollie’s brother Flanders Bays, who served the church as musical director, had handpicked him for that quartet. By the time A.P. was twenty, Flanders Bays was teaching singing schools all over southwestern Virginia. Sometimes, if A.P. could get free of his farm chores, he'd go to his uncle's singing schools to help out.

He had tried his hand at working at sawmills, farming, and as a blacksmith. Wanting to earn enough money to buy himself a piece of land, A.P. left his home in 1911 and set out for Richmond, Indiana (as his father had done), to work on the railroad but came down with typhoid fever and quickly returned home.
Family members recall that he wrote his first song while he rode the train back to Virginia, "My Clinch Mountain Home," a nostalgic ode to the place of his birth that would become one of the Carter’s hits:


Carry me back to old Virginie,
Back to my Clinch Mountain home;
Carry me back to old Virginie,
Back to my old mountain home.


Nursed back to health by his mother, A.P. went to work for Flanders Bays selling fruit trees and shrubs for his nursery. The job gave him the chance to exercise his restlessness, traveling around Scott County, staying with the locals and playing music on the porch after dinner.

Next we'll look some songs then Sara and how Sara met A.P.

Richard

Friday, November 14, 2008

Carter Family

Hi,

My new painting Sally Goodin, is now finished and I should have some images next week. I did a large portrait of Eck Roberston playing the fiddle in the mountains. The lyrics are silly fiddle rhymes of course but there are some good lines and a few interesting words like doxy.

I've decided I'll do some posts on the Carter Family since I'm researching some of their songs now on Mudcat and have written about them in my upcoming Mel Bay book Country Music: The Early Years.

I'll include bio excerpts and we'll look at their songs. This will be an ongoing project because I'm not doing 300 songs at this time.

The Carter Family wrote some songs of course but most of them were arrangements based on existing or traditional tunes. In those days if you found a song and recorded it the song was your song- you owned the rights and got royalties.

Some of the royalties were huge in comparison to what many of the people from the Appalachian Mountains made. Ralph Peer, with Okeh, set up a royalty system that gave the musicians a good cut of the royalty. John Carson's "Little Old Cabin in the Lane" and Henry Whitter's "Wreck of the Old 97" opened the floodgates. Although Columbia's Frank Walker didn't offer as sweet a deal there was money to be made.

Ernest Stoneman made triple the average wage for a year just off his royalties. AP Carter knew that the only way the Carters would continue their success was to find and record new songs. Each song was copyrighted and the more and different songs you recorded the more you made.

Many record companies like Okeh were only interested in securing copyrights. Peer amassed a large fortune, not form his salary but from the record royalties.

Gotta run,

Richard

Tuesday, November 11, 2008

Videos: Bury Me Beneath the Willow and Darlin' Corey

Hi,

I want to thank Whistlin Rufus much for helping me do the videos Sunday. Thanks also to Jason who put the two painting songs with us playing on utube. The idea was to show the painting and play the song. This was the first attempt. We'll need to get better images of the paintings, but the songs were fine.

Here is the link to Darlin' Corey:

http://www.youtube.com/watch?v=0NeGSsIDyRQ

Here is the link to Bury Me Beneath The Willow:

http://www.youtube.com/watch?v=FsubKbQo0mU

I've also been painting Sally Goodin which features a large portrait of Eck Robertson playing the fiddle in the mountains.

I should be done this week.

See you,

Richard

Monday, November 10, 2008

Bluegrass Picker's Tunebook



Hi,

On the left is my latest Mel Bay Book. The book had over 200 bluegrass and bluegrass gospel songs, it's still just $24.95. The good thing about it is I researched the songs and put detailed info on every song.

To purchase Bluegrass Picker’s Tune Book (MB20233) contact:

Mel Bay Publications, Inc.
#4 Industrial Drive, Pacific, MO 63069 ~ 636-257-3970
TOLL FREE 1-800-8-MELBAY (1-800-863-5229) ~ FAX 636-257-5062
WEB ADDRESS: www.melbay.com ~ E-MAIL ADDRESS: email@melbay.com

Here's a list of the songs:

A Beautiful Life
A Hundred Miles
Ain't Gonna Work Tomorrow
Alabama Jubilee- Bluegrass Version
All the Good Times Are Past and Gone
Amazing Grace
Angel Band
Arkansas Traveler
As I Went Down In the Valley to Pray (Down To the River To Pray)
Banks of the Ohio Battle of New Orleans
Beautiful Life (See: A Beautiful Life)
Bile Them Cabbage Down
Bill Bailey, Won't You Please Come Home?
Black-Eyed Susie
Bluegrass Boogie
Bound To Ride (See: I'm Bound To Ride)
Bowling Green
Brown's Ferry Blues
Buddy Won't You Roll on Down the Line
Bury Me Beneath the Willow
Can the Circle be Unbroken? (See: Will the Circle Be Unbroken?)
Can't Feel At Home (See: I Can't Feel At Home In This World Anymore)
Careless Love
Chewing Gum
Children Go Where I Send Thee
Chilly Winds Church in the Wildwood, The
Cindy Circle be Unbroken (See: Will the Circle Be Unbroken?)
Cluck Old Hen
Cold Rain and Snow
Columbus Stockade Blues (Major Key and Minor Key)
Come all Ye Fair and Tender Ladies
Corrina, Corrina
Cotton-Eyed Joe
Crawdad
Cripple Creek
Cryin' Holy
Cumberland Gap
Dance All Night With A Bottle In Yer Hand
Daniel Prayed
Dark Hollow
Darlin' Corey
Davy, Davy
Deep River Blues
Do Lord
Dogget's Gap
Don't Let Your Deal Go Down
Don't This Road Look Rough and Rocky
Don't You Hear Jerusalem Moan
Down The Road
Down To the River To Pray (See: As I Went Down In The Valley To Pray)
Drifting Too Far From the Shore
East Virgina Blues
Eighth of January (See: Battle of New Orleans)
Engine 143
Faded Love
Fair and Tender Ladies (See: Come all Ye Fair and Tender Ladies)
Farther Along
Five Hundred Miles (See: A Hundred Miles)
Fly Around My Pretty Little Miss
Foggy Mountain Top
Footprints in the Snow
Fox, The
Free Little Bird
Freight Train
Froggie Went A-Courtin'
Gal I Left Behind Me, The
Georgia Pineywoods
Give Me That Old Time Religion (See: Old Time Religion)
Give Me the Roses
Glory Land Way
Go Long Mule
God Moves in a Windstorm
God's Gonna Set This World On Fire
Goin' Cross the Mountain
Goin' Down this Road Feelin' Bad
Gotta Quit Kickin' My Dog Around (See: Hound Dog Song)
Grandfather's Clock
Great Speckled Bird
Green Pastures
Ground Hog
Hallelujah I'm Ready
Hallelujah We Shall Rise
Handsome Molly
He Will Set Your Fields On Fire
Hesitation Blues
Hog-Eye Man (Fiddle Tune)
Hold To God's Unchanging Hand
Home, Sweet Home (Bluegrass Lyrics)
Hop High Ladies
Hot Corn, Cold Corn
Hound Dog Song
House of the Rising Sun
How Beautiful Heaven Must Be
I Ain't Broke But I'm Badly Bent
I Ain't Gonna Work Tomorrow (See: Ain't Gonna Work Tomorrow)
I Am A Girl Of Constant Sorrow (See: Girl Of Constant Sorrow)
I Am A Man Of Constant Sorrow (See: Man Of Constant Sorrow)
I Am A Pilgrim
I Can't Feel At Home In This World Anymore
I Feel Like Traveling On
I Have Found the Way
I Never Will Marry
I Shall Not Be Moved
I Went Down To the River To Pray (See: As I Went Down To the River To Pray)
I Wish I Was A Mole In The Ground
I'll Fly Away
I'll Remember You Love in My Prayers
I'm Bound To Ride
I'm Sittin' On Top Of The World (See: Sittin' On Top Of The World)
Ida Red
If I Lose, I Don't Care
In the Garden
In the Pines
In The Sweet Bye and Bye
Jack O' Diamonds
Jackfish, The
Jacob's Vision
Jesse James
John Hardy
John Henry
Johnny Booker
Johnson Boys
Jordan Just A Closer Walk With Thee
Just Over in Gloryland
Katie Dear (See: Silver Dagger)
Katy Cline
Keep My Skillet Good and Greasy (See: Skillet Good and Greasy)
Keep On the Sunnyside
Kneel at the Cross
Knockin' On Your Door
L'il Liza Jane l
'll Remember You Love in My Prayers
Land Where We Never Grow Old (See: Where We Never Grow Old)
Life Is Like a Mountain Railway
Little Bessie
Little Birdie
Little Maggie
Little Old Log Cabin in the Lane
Little Sadie
Little White Church
Liza Jane
Lonesome Valley
Long Journey Home
Lord I'm Comin' Home
Lost and I'll Never Find the Way
Love Somebody, Yes I Do
Lula Walls
Make Me A Pallet on the Floor (See: Pallet on the Floor)
Mama Don't Low
Man of Constant Sorrow
Methodist Pie
Midnight on the Stormy Deep
Midnight Special
Midnight Train
Miss McCleod's Reel (See: Hop High Ladies)
Model Church
Molly and Tenbrooks
More Pretty Girls Than One
Mountain Dew
My Home's Across the Smoky Mountains
Naomi Wise (See: Omie Wise)
New River Train
Nine Hundred Miles (See: A Hundred Miles)
Nine Pound Hammer
Oh Death
Old Blue
Old Dan Tucker
Old Gospel Ship
Old Joe Clark
Old Rattler
Old Soldier (Red-Haired Boy)
Old Time Religion
Omie Wise
One Hundred Miles (See: A Hundred Miles)
Pallet On the Floor
Pig in a Pen
Poor Wayfaring Stranger
Precious Memories
Pretty Polly
Rain and Snow (See: Cold Rain and Snow)
Red Apple Juice
Red Haired Boy (See: Old Soldier)
Red Wing Reuben's Train
Rock About My Saro Jane
Rocky Top
Roll Down the Line (See: Buddy, Won't You Roll Down the Line)
Roll In My Sweet Baby's Arms
Roll on Buddy
Roving Gambler
Rye Whiskey (See: Also Jack O' Diamonds)
Sail Away Ladies
Sally Ann
Sally Goodin
Salty Dog Blues
Shady Grove (Major Key)
Shady Grove (Minor Key)
Shall We Gather At the River
Silver Dagger
Sittin' On Top Of The World (See: I'm Sittin' On Top Of The World)
Skillet Good and Greasy
Soldier's Joy
Sourwood Mountain
Stewball
Storms are on the Ocean
Sweet Bunch Of Daisies
Sweet Bye and Bye (See: In The Sweet Bye and Bye)
Sweet Sunny South
Swing Low Sweet Chariot
Talk about Suffering
Tennessee Hound Dog
There'll Be No Distinction There
This World Is Not My Home (See: I Can't Feel At Home In This World Anymore)
This Little Light Of Mine
Tom Dooley
Troubles Up and Down The Road
Turkey in the Straw
Turn Your Radio On Two
Dollar Bill (See: Long Journey Home)
Uncle Joe (See: Hop High Ladies)
Uncloudy Day
Wabash Cannonball
Walking in Jerusalem, Just Like John
Way Downtown
We'll Understand It Better Bye and Bye
Weevily Wheat
Were You There
When The Roll Is Called Up Yonder
When The Saints Go Marching In
When They Ring the Golden Bells
Where the Soul Of Man Never Dies
Where We'll Never Grow Old
White House Blues
Whoa Mule
Wildwood Flower
Will the Circle Be Unbroken
Working On a Building
Worried Man
Wreck of the Old 97
Young Man Who Wouldn't Hoe Corn

Friday, November 7, 2008

Close-Ups: I Wish I Was A Mole in the Ground

Hi,

Here are the close-ups for my painting, "I Wish I Was A Mole In The Ground." Click to enlarge. You can buy a high quality reproduction (much better and clearer than the images on-line) or the original painting. Just e-mail me: richiematt@aol.com

1) Lyrics and the Lizard
2) Our hero: the mole
3) Mole rooting the mountain down
4) Waterfall in the NC mountains
5) Our babe: Tempy
6) The complete picture!
























Red River Valley: Close-Ups

Hi,

I'm including some close-ups of my painting Red River Valley (clicl to enlarge).

1) Here's the image of the complete painting. It's difficult to see all the details so I'm including some close-ups.

2) Below are the lyrics. The lyrics are one of the hardest, most detailed parts of my song paintings. It's important for me to include the lyrics because they can differ so much from song to song.

3) Below that is a close-up of the cowboy that "loves her so true." Note in the painting the horses are looking at each other as if they were saying, "Goodbye!"

4) The last close-up is the cowgirl that is leaving the valley. She is seeking the sunshine that will brighten her pathway for a while.







Thursday, November 6, 2008

Red River Valley- Part 3

Hi,

Continuing our journey on the Red River Valley, today we'll look at some other names and versions. Red River Valley has been sung as "The Bright Mohawk Valley," "The Bright Sherman Valley," "The Green Little Valley," "The Dear Little Valley," and "The Cowboy's Love Song."

One of the most endearing country ballads of all time, it is also a bluegrass song (sometimes as Bright Sherman Valley) and in 1959 was even a hit rock song, Red River Rock.

One of the first recordings done in 1925 was Carl Sprague's Cowboy's Love Song where he called the valley the "bright little valley" not naming a location. Even before Sprague's recording the song was being sung in the Appalachians by Bascom Lamar Lunsford and others. Lunsford first called the song the Laurel Valley and then when he recorded the song for Okeh in Asheville NC in 1925 it was the "Sherman Valley."

Shermans Dale in Perry County, Pennsylvania is the probable site of the Bright Sherman Valley. Published in the 1909 Bulletin: United States Geological Survey of 1899-1905, there was a Newport and Sherman Valley Railroad, a Sherman Creek, and naturally a Sherman Valley. Today the area is no longer known as the Sherman Valley.

The other claim is Sherman Texas which is in the Red River basin. Surely Goebel Reeves, who was from Sherman Texas named his version "Bright Sherman Valley" because he grew up there.

Looking at the first recordings I'd say Lunsford and others from the Appalachian Mountains probably were referring to Sherman Valley, Pennsylvania. We'll never know. One author claimed (with no documentation) the song was brought to Pennsylvania by the early settlers and disseminated from there.

Here's one of the early versions by Bascom Lamar Lunsford. First I'll give you a link where you can look at the sheet music from Lunsford: http://books.google.com/books?id=sKlOYEg_5c8C&pg=PA185&lpg=PA185&dq=sherman+valley+lunsford&source=web&ots=Q9vFN5srET&sig=U2jVw72wLw-juJOD2Fw5UtvIWuY&hl=en&sa=X&oi=book_result&resnum=5&ct=result

LAUREL VALLEY

I have waited a long time my darling,
For the word you never would say,
But alas, my poor heart it is breaking,
For they say you are going away.

Then consider a while ere you leave me.
Do not hasten to bid me adieu,
But remember the bright Laurel Valley,
And the girl who has loved you so true.

Bascomb Lamar Lunsford, 1921. He also used the title Sherman Valley (as did a Miss Hardin, 1922). From Brown, North Carolina Folklore, vol. 5, The Music of the Songs, p. 185-186. Joe Offer has the volume with the rest of the lyrics.

SHERMAN VALLEY Bascom Lamar Lunsford (from the CD anthology Mountain Frolic - Old Timey Classics 1925-30)

I've been waiting a long time my darling
For those words you never would say
And alas, my poor heart it is breaking
For they say you are going away

CHORUS: Then consider a while ere you leave me
Do not hasten to bid me adieu
But remember the bright Sherman Valley
And the girl who has loved you so true

When you're far, far away from this valley
I will miss your bright eyes and bright smile
You will take away all the sunshine
That has brightened my path for a while CHORUS

When you're far, far away from this valley
And you're thinking of loved ones at home,
Remember that you left one behind you
That will love you wherever you roam CHORUS

Volume V, pages 186-187 of The Frank C. Brown Collection of North Carolina Folklore has this excerpt: #260G "Red River Valley" Sung by Bascom Lamar Lunsford, of Turkey Creek, Buncombe County, probably in 1921. This is a second version by this singer. The text, however, is based on the second stanza of the A version. The recording is very poor and breaks up at the end of the stanza. The singer, upon inquiry, informed this editor that the chorus uses the same tune.

Lunsford, who was a folk collector and organized folk festivals, learned the song as Laurel Valley and after hearing it sung as Sherman Valley changed the name. This was the song Frank Walker of Columbia knew when he made the 1926 recording of Luther Clark and his Blue Ridge Highballers led by Charley LaPrade. As we saw in the earlier blog Walker had Hugh Cross and Riley Puckett recording the song in 1927 as the Red River Valley. After it became a hit the song became the Red River Valley on almost all subsequent recordings.

Adieu,

Richard