Saturday, December 5, 2009

feature; news


Hi,
On the left is a pic of me performing Red Apple Juice last Thursday at Quills.

Mom's Music, where I teach, did a feature of me on their blog. There's a photo of me and Chet at our concert in Sept. 1992.

http://momsmusiclouisville.blogspot.com/

I'm trying to get the educational video series going. The good news is that Cari Norris, Lily May Ledford's granddaughter will be sharing her talent and playing afew of my painting songs.

Come out and see us at Quills, on Baxter, around 8:30 Sat. Dec. 12. Some members of my band, Bluegrass Messengers, and I will be accompanying her.

See you there,

Richard

Thursday, December 3, 2009

Bluegrass Videos- Performances

Howdy,

I'm getting ready to start a series of educational videos that I'll be putting on YouTube. They will feature live-perfomances of songs by my band as well as solo clips of me talking about the history and showing how to play the songs on guitar.

We're doing a trial video tonite at Quills on Baxter around 8:20-10:00.

Tomorrow we're playing at Compound Art Gallery Trolley Hop Concert (Art and Music) at 7:00

Friday Dec. 4 6:00pm- 12:00
Compound Art Gallery 713 E. Main St. Louisville KY 40206
Admission: Donations

Band Schedule:
6:00 Cadillac Shack
7:00 Bluegrass Messengers
7:30 Exit 9
8:20 HeatherField
9:15 Honey Highway Country and Blues Show
10:15-12:00 Tattoo Babylon

The next video is scheduled Sat. Dec. 12 at Quills on Baxter 8:30 PM

Come on out!

Richard

Saturday, November 7, 2009

Mac and Sleepy; Part 2



Hi,

On the left you can see the cover of the 1939 Drifting Pioneers song folio. Sleepy was kind enough to give me a copy.

Featured are the Drifting Pioneers with their coonskin caps. From left to right: Walt Brown (mandolin); Merle Travis (guitar); Sleepy Marlin (fiddle) and Bill Brown (bass).

Merle left the Pioneers in spring of 1937 to join Mac's Georgia Wildcats. Then in the summer of 1937 he rejoined the Pioneers.

Sleepy and Mac crossed paths many times and he eventually ended up playing for Mac in the late 1940s. It didn't last long because Mac, a lifetime drinker, was hitting the bottle hard and Sleepy couldn't get along with him.

Sleepy did relate a story (second hand) about Mac and Natchee. Mac and Natchee were rivals in a series of fiddle competitions sponsored by Larry Sunbrock, even though the contestants were paid a flat fee they still tried to win the audience vote and the competition by fiddling their best.

According to Sleepy, Mac decided he would play a trick on Natchee and put soap on Natchee's bow hair before the big final. Of course Natchee couldn't make much sound with soap on his bow and confronted Mac who was never afraid of a fight. Sleepy said Mac who was only 5' 7" and weighted about 155 pound was no match in a fist fight with the 6' 2" indian. Sleepy said Mac took a beating.

Then in the late 1940s Sleepy started playing the state competition at the Kentucky fair held every year in Louisville. At the time Mac was playing with his big swing band at Howell's Furniture Store while Sleepy started his own band, The Wagoneers, then joined Randy Atcher's band on WHAS and was featured on the Hayloft Hoedown TV show.

Sleepy won the contest at least two times when Mac entered. According to Sleepy, "I beat him one year playing Bile Dem Cabbage Down , which was his contest song. Mac didn't like that much."

Sleepy played on WHAS in Louisville from around 1950 until 1962 on Randy's hit TV show. More on Sleepy later.

Richard

Friday, November 6, 2009

Mac and Sleepy: Part 1

Hi,

I just had lunch with Sleepy Marlin (photo on left), his son Jace, and the fiddle player in my bluegrass band Linda Starks. Sleepy was born in 1915 and was active in Indiana, Ohio and Kentucky in his professional career which began around 1932.

He also played with Merle Travis in their Drifting Pioneers Band which formed in early 1937. They were in Evansville, Indiana when Merle got word via a telegram that Clayton McMichen wanted him to play guitar for the Georgia Wildcats.

The Pioneers didn't want to keep Merle from his chance with a big-time band so Merle headed out in the Spring of 1937, during the late stages of the Flood of 1937, to play with McMichen. Merle didn't stay long with McMichen returning to The Drifting Pioneers in July 1937. Travis would play with Sleepy until 1942 when World War II broke up the band.

Sleepy was one of the premiere contest fiddlers in the nation for many years. He beat McMichen several years at the Kentucky state competition in Louisville the 1950s. He also played with Mac for about 6 months.

Sleepy is in good shape and his sons now carry on the tradition in several bands including "The Marlins," a nationally known cover band and his son Jack's band "The Marlinaires." I'm planning to do an article on him for the Old-Time Herald.

More on Sleepy to come,
Richard

Saturday, October 31, 2009

Mac and Curly: Curly Fox


Hi,

On the left is a photo of Curly Fox. Curly was a fiddler who crossed paths with Mac many times. Fox along with his wife, Texas Ruby, became Country Music stars in the late 1930s and 1940s from their appearances on the Grand Ole Opry.

Fox was first inspired to become a professional performer when the Skillet Lickers came to Graysville TN for a road show. Curly, who played fiddle and guitar, was used by Mac and Bert to fill in on guitar for Riley Puckett.

Larry Sunbrock used Curly to play in his staged fiddle contests in the mid 1930s against Natchee the Indian and sometimes against Mac or both. [see last blog]

Curly was a fiddler strongly influenced by Mac and Lowe Stokes. Bert Layne, who was a better teacher, also helped Curly learn new tunes. Here are two bios on the early years:

Arnim Fox grew up in the East Tennessee community of Graysville learning to cut hair and play fiddle from his father the town barber. He also learned some fiddle techniques from James McCarroll of the Roane County Ramblers, one of the truly great fiddlers of the roaring 20’s. Fox served something of an apprenticeship with McCarroll’s band. Curly also got an early taste of professionalism by joining an “Indian” medicine show run by a “Chief White Owl” with whom young Arnim journeyed as far north as Indiana.

According to one familiar story, the youth yearned for a professional career in music from the time Gid Tanner’s Skillet Lickers came through Graysville playing a show and stopped in the elder Fox’s barbershop. Not long afterward, Curly set out for WSB Atlanta, where he joined Claude Davis and the Carolina Tar Heels (not the Victor recording act), acquired the nickname “Curly” and later started his own band called the Tennessee Firecrackers.

About 1934, the Shelton Brothers came to Atlanta and Curly joined forces with them, going to WWL New Orleans. He remained with the Sheltons long enough to do a pair of Decca sessions in 1935 and 1936, including six sides recorded under his own name. Leaving the Sheltons in 1936, Curly traveled for a while with promoter Larry Sunbrock, who staged a series of fiddling contests featuring Curly, Natchee the Indian (aka Lester Vernon Storer), and other noted fiddlers. At the Texas centennial celebration in 1937, Curly met the husky-voiced, cowgirl singer known as Miss Texas Ruby.

The following biography was used when Texas Ruby and husband Curly Fox appeared onstage as Grand Ole Opry guests on November 8, 1947.

Arnim Leroy "Curly" Fox grew up in the hill country of southeast Tennessee, where he worked at everything from saw mill to genson gathering. The evenings were spent making music at the barber shop. Besides learning to play the guitar and fiddle, Curly also got to be right handy with the razor and shears as an apprenticed barber. He followed the trade at various times in the following years, since making a living sawing a fiddle was a tough row to hoe in those days. On rare occasions, traveling string bands would come through the little town, pick and sing a few tunes, and pass around the hat to get a few nickels for gas and eats. Of course, they could always bunk up with the country folks who were glad to have them stay and play a few more tunes.

One evening while Curly and his dad were having one of their regular sessions of tune picking and singing, an old T-model Ford thundered up and came to an abrupt halt in front of the barber shop. Emerging from the steam and dust stirred up by the spitting Tin Lizzie were several dusty but otherwise well-dressed men carrying some of the finest looking banjos, guitars, and fiddles the Foxes had ever laid eyes on.

The men came into the shop flashing those personality smiles and talking freely. They proceeded to wipe the dust from their instruments, all the while insisting that Curly and his dad fiddle a tune or two. This they did without delay, and right proudly, too, since they were called the very best by the natives. Both Curly and his dad played either fiddle or guitar. So, since the old man happened to have the fiddle, he put if up against his chest and flogged a couple of hoe downs, squeaking loud and long in the smoke-filled room. At the end of the self-styled rendition, Curly insisted that the strangers play one. So, they proceeded to play with skill and tone, the likes of which Curly and his dad had never heard before.

The newcomers turned out to be one of the greatest string bands of all times, "The Skillet Lickers," famous for their recordings and later for their radio shows. Watching these professional music makers gave Curly food for thought. Immediately, he stopped holding the fiddle against his stomach as he sat cross-legged, and began holding it under his chin and standing erect. In the years that followed, through hours of practicing, he developed a double stop style of noting and unique bow movement. These have been copied by many and mastered by very few. Today, Curly Fox is without doubt one of the nation's most colorful fiddlers and versatile entertainers.

Mac: More on Sunbrock and Natchee


Hi,

I've found a bit more about notorious promoter Larry Sunbrock and Natchee the Indian.

On the left is a photo (click to enlarge) of the Skillet Lickers in 1931 when they appeared on WCKY Covington. This was the group Larry Sunbrock promoted and managed that led him into music/event promotion.
From left to right: Bert Layne, Riley Puckett, Clayton McMichen and Slim Bryant.

Even though the Skillet Lickers had broken up (Gid Tanner and McMichen never played after the last 1931 Columbia session), for promotion purposes the Skillet Licker name was used on WCKY on radio and by Larry Sunbrock for road shows. After all, Bert, Mac, and Riley were three former members. The Skillet Licker name was used again for the 1934 Bluebird recordings even though Mac didn't play.

As I said in my earlier blog Natchee the Indian's real name was Lester Vernon Storer. Storer was a trick fiddler that played "arranged" fiddle competitions against Clayton McMichen, Curly Fox and other fiddlers. Larry Sunbrock was the promoter for the arranged contests and the first prize was awarded based on audience approval. Sunbrock would place his hand over the head of each finalist and whoever received the loudest response won. Whether they won or lost the fiddlers received a flat fee from Sunbrock.

The contests, held in the 1930s, were promoted on radio and drew huge crowds. Merle Travis reported a crowd of around 5,000 at one contest between Mac and Natchee. Larry Sunbrock reported that in St. Louis they drew 24,000 people in one day.

Curly Fox said Natchee the Indian had a "capitivating style but he only knew ten tunes." Not much is known about Natchee (Lester Storer). Records indicate that Lester V. Storer died Dec. 21, 1970 in Santa Clara. What he was doing or how he ended up in California I don't know.

In the 1930 census Lester V. Storer's home was Springfield, Clark County, Ohio. He was 16 and his birth year was 1913 or 1914. He lived with his mother Anna L. who was 61 (born about 1869) and his older brother John E. Storer who was 19. At the time Lester was a laborer in pump shop. His father, George V. Storer must have died by 1930 or left the household.

In the 1920 census his name is listed as Lester T Stoves [Lester V Storer]. The middle intial should be a V and the last name was illegible. They lived in Bratton, Adams County, Ohio. Lester was 6 years old and his brother John was 10. His father, George V. was 46 and his mother, Anna L. was 50. Both parents were born in Ohio. A Charles E, Messinger, who was 16, lived with the family.

Clearly Sunbrock, who reported that Natchee (Storer) was 3/4 Apache, was doing this as a publicity stunt. In 1947 Nachee was still being promoted by Sunbrock. [See: Billboard‎ Magazine - Jan 25, 1947 - v. 59, no. 4] Banjo Murphy teamed with Nacthee and his Arizona Indians, a show being managed by Larry Sunbrock. They traveled from coast to coast, putting on fiddle, yodel, banjo and singing contests. Members included Cowboy Copas and Red Herron.

Natchee drifted around after the 1940s and little is known about him. He reportedly lived in Chicago in the 1950s and turned up in Kentucky- dirty, broke and hungry- at Bert Layne's house [Juanita Mcmichen Lynch]. According to John Harrod, Natchee had a son that lived in California and he moved out there. He died there in 1970. Anyone that has more info let me know.

Lawrence Henry Sunbrock AKA Larry Sunbrock was born around 1912. Records show Larry divorced his wife Georgia Sunbrock in 1952 in Orange County. Sunbrock, who was based in Orlando Florida promoted rodeo shows, circus shows, rock concerts, sporting events, race track events, country concerts, country jamborees and fiddle contests.

I have a copy of Robert Shelton's 1966 The Country Music Story which has one of the few printed reports from Sunbrock about his role in promoting country events on page 221:

One of the old-timers in country music promotion is Larry Sunbrock, now based in Orlando, Florida. He wrote me:

"In 1930, I was running, at eighteen, The Metropolitan Theater in Cincinnati and starving during the Great Depression, taking in about $20 a night at the movies. Then I heard of the skillet Lickers playing at WCKY [McMichen, Layne, Riley Puckett, this was in 1931] I booked them into the theater and grossed $400 a night for three nights. I took them on the road as manager and we played theaters, armories etc. for several years. In 1933 Natchee, the Indian (whom I named) played a fiddlers' contest against Clayton McMichen and Natchee won. I lined them up again in Louisville, Nashville, Cincinatti, Atlanta and elsewhere and made a barrel of money and friends. In St. Louis I had 24,000 people turn out for two shows in one day of a band, fiddlers' and yodelers' contest.

From such sucesses I started barn dances all over the midwest, but never had enough sense to capitalize on it. In 1935 Cowboy Copas joined me and Natchee and we then used Curly Fox as a fiddling champion against all comers.

I was the first to take hillbilly music out of the barns and put it in auditoriums. Oscar Davis and Joe Franks all followed me."

It was Sunbrock's promoting skills that led to Mac, Bert and Slim landing a better paying position at WLW in Cincinnati. For a short time there were two Skillet Licker bands playing at rival radio stations- Mac, Bert and Slim (with Johnny Barfield) playing at WLW and Riley and Gid Tanner playing at WCKY.

Sunbrock went on to promote many different events. He seemed to become entangled in legal disputes wherever he went.

Billboard Magazine Dec. 13, 1947: Larry Sunbrock was brought up for trial in Special Sessions Tuesday in a caase stemming from the short-lived Big Top Circus he promoted here (Orlando) in 1943. [Sunbrock filed bankruptcy papers to avoid paying the debts he incurred. After negotiations he was ordered to pay $10,000]

Here's a report from an Orlando Paper dated Sept 1959 (perhaps date should be Sept 1948)

[[• An Attorney representing Lawrence H. Sunbrock said there was “no Florida law on which to base a misleading advertising charge” on the Orlando promoter.

The claim was made by attorney Harry H. Martin in motions filed in Criminal Court to quash two charges brought against the 48-year-old Sunbrock by the Duval County Solicitor’s Office.
The charges against Sunbrock alleged that on the past Dec. 30 he caused to be published in local newspapers advertisement of the public performance of a rodeo which contained “untrue, deceptive and misleading assertions.”

Sunbrock was arrested the night of Dec. 31 shortly before his widely advertised “national championship rodeo” was slated to open a four-night run with three afternoon performances at the Gator Bowl (now Municipal Stadium).

Local authorities did not allow Sunbrock to present the show whose performers were to include Dennis Weaver, who played “Chester,” Marshal Dillon’s sidekick, on the television series “Gunsmoke.”

Martin’s motions to quash included a ground that the charges were not founded on any Florida criminal law. In other words, he explained, there was no Florida statute covering the situation alleged in Sunbrock’s case by the County Solicitor. Martin also said the charges written by the solicitor failed to allege what claims in the newspaper advertisement were false. ]]

I'm currently trying to gather more info on Larry Sunbrock. I know he owned some property in the Orlando area (Rodeo Ranch). According to Billboard‎ Magazine - Aug 18, 1956 - "Off the road for the first time in 25 years, Larry Sunbrock, veteran rodeo and thrill show owner, is now operating two speedways in Florida."

If anyone has info on Sunbrock please email me.

Richard

Tuesday, October 27, 2009

Mac and Slim: Decca 1937


Hi,

On the left is copy of a Decca 78 recorded by Clayton McMichen in 1939 at the last Decca session. This medley of fiddle tunes is one of six fiddle tune medleys (18 tunes) all done at the last session.

In 1937 McMichen landed a recording contract with Decca. On July 27, 1937 The Wildcats headed for New York where they recorded Farewell Blues; In The Pines; Chicken Don’t Roost Too High; I Want My Rib; Georgiana Moon; Bile Dem Cabbage Down; Sweet Bunch Of Daisies; Frankie and Johnny; Under The Old Kentucky Moon; and Yum Yum Blues.

According to Merle Travis and Charles Wolfe he was present at the recording session. Merle said that his first recording session was playing guitar on McMichen’s recording of “Farewell Blues.” According to Rich Kienzle article on Slim Bryant: Slim, Loppy and Kenny Newton reunited with Mac that summer. Gary Cinell and also Tony Russell do not list Travis as being part of the session.

In my last interview I told Slim the songs on the session he said, "I played on all them." When I asked Slim about Merle he said, "Merle wasn't there." [Juanita confirms: She was with Mary Jane (Slim's wife) who was sick with euremic poisoning, while Mac and Slim were in NYC recording.]

Several songs from this session have become old-time standards. McMichen's "Georgiana Moon" is a fiddle standard today. According to Mac: "It was one of the most beautiful tunes I ever wrote in my life. We were going to get rich off it- huh! We didn't sell enough to pay for the first pressing. I got about 75-80 cents for writing it."

Mac and Slim also wrote lyrics for the tune and included them in their 1934 songbook. I also used Georgiana Moon as of the melodies I selected to arrange and record for my Mel Bay book, "American Fiddle Tunes for Acoustic Guitar." The book features fingerstyle arrangements of fiddle tunes.

More to come,

Richard